Video Lighting - Interview Setups
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Lighting Styles

• 1 Light: Using your main light (Key Light) & Using a window or other source of light as your other light source (fill light & or background light).

• 2 Lights: Key Light and Fill Light

• 3 Lights: Key Light & Fill Light and either background light or hair light.

• More Lights: Mixture of the above and more.

Samples of Interview Lighting

Many brands of lighting are available upon request (Aputure, Nanlite etc.)

Learn About Lighting Options from These Two Videos

THE REMBRANT EFFECT

The Rembrandt effect is a classic lighting technique used in video and photography to create a dramatic, three-dimensional look. It is characterized by a small, inverted triangle of light (known as the "Rembrandt patch") on the subject's cheek that is opposite the main light source.

Key Characteristics

• Dramatic Effect: The high contrast between light and shadow (chiaroscuro) adds depth, mood, and intensity to a scene. This makes it a staple technique in genres like film noir and psychological thrillers.

• Defined Triangle: The signature triangle of light should be no wider than the subject's eye and no longer than their nose.

• Minimal Equipment: The effect can be achieved with a single key light and, optionally, a reflector or a less powerful fill light to control shadow intensity. 

How to Achieve the Effect in Video Lighting

• The basic setup involves specific positioning of the key light relative to the subject and the camera: 

• Position the Key Light: Place your main light source high and to one side of the subject, typically at a 45-degree angle horizontally from the camera axis and slightly above the subject's eye line (about 10-20 degrees).

• Angle Downward: Angle the light source down toward the face so the nose shadow connects with the shadow on the opposite cheek, forming the distinctive triangle of light.
  
  

Control Shadows:

• For a more dramatic, high-contrast look, use a hard light source or move the light further away.

• For a softer, more natural appearance (often preferred for beauty portraits or talking heads), use a light modifier like a softbox or an octa, and/or add a white or silver reflector on the shadow side to bounce some light back into the face.

• If using a second (fill) light, ensure its power is no more than half that of the key light to maintain the dramatic contrast.

• Manage the Background: Use a dark or neutral background to prevent the viewer's eye from being distracted and to emphasize the contrast on the subject's face. 

Best Use Cases

• Rembrandt lighting is a versatile technique that works well for: 

• Dramatic portraits

• Cinematic storytelling (e.g., film noir, moody scenes)

• Interviews and talking heads that require a more serious or artistic tone

• Subjects with rounder faces or prominent cheekbones, as it adds definition and shape 

THE ART OF DOCUMENTARY LIGHTING
Documentary Lighting Guide

Courtesy of www.TheArtofDocumentary.com - Visit their link to learn more.